The Pinholes started life in 2002 (thus a revival band) and its members were brought together by their mutual interest in the music of the 60s and 70s. Through the years, The Pinholes have been making strides in the Singapore music scene as a band that lives and breathes Rock ’n Roll. They stay true to their philosophy of modern classic music roots. Roots that go way back to the rhythm and blues, soul and, of course, rock and roll.

LAYYI is a zennial from sunny Singapore who has a soulful Ari-like tone of voice and makes a sweet combination of pop, R&B, and singer-songwriter tunes with her guitar. With a flare for speaking her truth through music, she broke into the music scene in 2019 with a bang along with her pop trio band HE1ST. She emerged as a solo artist with “Hey Love”, has currently garnered 1.4 Million streams on Spotify, and has built up an audience of a whopping 113k monthly listeners per month with only a few releases so far. She was also recently featured in New York Times Square as Spotify’s EQUAL Campaign Ambassador for Singapore and Malaysia.

Born in the Philippines and based in Singapore, singer-songwriter and visual artist Marian Carmel brings feel good indie-pop music for the delusional and hopeless romantics who just wanna dance! ‘What if nobody kisses me?’ is an upbeat, queer, indie-pop anthem about the beauty in fleeting romances. The EP was launched on the 27th Sept as Singapore’s first ever Rollerskating Concert. She has just returned from her first regional tour ‘The Lilypad Tour’ (with lewloh and RENE) that included sell out gigs in Singapore, Taiwan, and Manila

An eerie mix of modern rock and alternative neoclassical melodies: Sangriento formed in 2010 is where metal meets experimental. They are currently recording their new album augmenting their signature operatic sound with progressive electronic metal hits to be released in early 2025. Live, they give electrifying performances, where Candice, the lead singer really pulls in and grabs the audience from beginning to end.

Formed in 2017, Sun Eater’s music is a fusion of personal anecdotes and a deep exploration of societal challenges. Through their songs, they strive to communicate this blend of experiences. A song pleading to break the cycle of the racially oppressed, by painting a narrative of the oppressors being imparted racism and prejudice via a closed ecosystem. The song was written in light of the Charlottesville Race Riots, and is now extremely relatable given the geopolitical landscape; pleading to break the cycle of the racially oppressed

The Pinholes started life in 2002 (thus a revival band) and its members were brought together by their mutual interest in the music of the 60s and 70s. Through the years, The Pinholes have been making strides in the Singapore music scene as a band that lives and breathes Rock ’n Roll. They stay true to their philosophy of modern classic music roots. Roots that go way back to the rhythm and blues, soul and, of course, rock and roll.